GFAA 2024丨亦可美术

2024-10-23 14:41:55雅昌发布

亦可美术创立于2013年,我们热情、真诚、活泼,热衷于挖掘市场空白,从不同角度去理解器物,在有必要的时候将其纳入囊中,把美术品的前端理解分享给藏家。

本次主题 USE LESS|非必要不购买

这是来自一位从业者的思考

我们因物喜,被物累。世界上最美好的东西通常是无用的,在有了更精更新的收藏时,才发现曾经的草率,但这只是个相对论…

此次展览,我们会以不同材质的器物去贯穿宋朝;以全新的唐物茶入板块为基点,了解千利休为代表的浓茶之风;去欣赏李朝白色线条对悲剧意识生成的变化,大唐颜彩给我们带来的内心满足,以及去探寻各地石刻雕塑表达对宗教的敬畏。 希望藏家看了我们的展览以后,在必要的时候,享受不得不买的乐趣。

Also Gallery, founded in 2013, is driven by passion, sincerity, and an energetic spirit. Our mission is to discover untapped opportunities in the art market, approaching objects with fresh perspectives. When the moment calls for it, we carefully incorporate these works into our collection, offering collectors insights into the evolving frontier of art appreciation.

Exhibition Theme: USE LESS | Don't Buy Unless

Necessary

This theme reflects a thoughtful meditation from within the industry. We delight in objects but are also burdened by them. The most beautiful things in life are often without utility, and only when we acquire newer and better collections do we realize the haste of our previous choices—but this is all relative...

In this exhibition, we traverse time and space through diverse materials, tracing back to the elegance of the Song Dynasty; we introduce a new chapter on Tang Dynasty tea caddies ('Cha-Ire' in Japanese), examining the robust tea ceremony traditions as embodied by Sen no Rikyū. We also appreciate the delicate white lines of the Joseon Dynasty, tracing how they evoke a quiet sense of tragedy, while exploring the satisfaction brought by the vibrant pigments of the Tang Dynasty. Additionally, we investigate the reverence for religion expressed through stone carvings from various regions.

We invite collectors, after experiencing this exhibition, to pause, reflect, and savor the rare pleasure of purchasing, only when truly essential.

https://img10.artimg.net/public/beian/jpg/202410/98b8d5672927e25bb5055e5eadb51b9a.jpg

唐物茄子茶入铭:不老仙里千家第15世家元 鹏云斋千玄室大宗匠 在判花押

A Karamono Nasu (Eggplant) Style Tea Caddy (Cha-ire), Inscribed 'Furousen' (Immortal) With inscription 'Furousen' and seal of Zaihan, the 15th iemoto of Urasenke

唐物丸壶茶入 藤村庸轩所持

A Karamono Tea Caddy (Cha-ire) with Round Base ‘Marutsubo’ Former collection of Fujimura Yōken

唐物大海茶入铭:振鼓 松平不昧 花押

A Karamono Tea Caddy (Cha-ire) with Wide Mouth ‘Taikai’With inscription 'Furitsuzumi' and seal of Matsudaira Harusato

https://img10.artimg.net/public/beian/jpeg/202410/58986caee32bd16f2c8fe529a468a2d7.jpeg

龙泉窑花口板沿洗

来源:京都本愿寺旧藏、后为中林仁一郎旧藏(1891-1960)

A Longquan Celadon Bracket-Rimmed DishFormerly from the Honganji Temple Collection, KyotoCollection of Nakabayashi Niichiro (1891-1960)

https://img10.artimg.net/public/beian/jpg/202410/fa1cbd370d41eeefd65e2f23cd02bdf7.jpg

湖田窑屈轮纹梅瓶 

来源:坂本五郎旧藏

A Hutian Qingbai Carved Meiping VaseFormer collection of Sakamoto Goro

https://img10.artimg.net/public/beian/jpg/202410/d02e3cbb15185e5448c53432f542df39.jpg

银鎏金孔雀凤凰纹盖盒 

来源:神户·秦峰男旧藏

A Gilt-Silver ‘Peacock and Phoenix ’ Box and Cover Former collection of Mineo Hata, Kobe

https://img10.artimg.net/public/beian/jpg/202410/21873812e5f91b369f6536cacad4970d.jpghttps://img10.artimg.net/public/beian/jpg/202410/813b7eec94fb0f13eeb7ae4eef74525e.jpg

银制异兽纹盖盒

来源:神户·秦峰男旧藏

A Silver ‘Mythical Beast’ Box and CoverFormer collection of Mineo Hata, Kobe

(责任编辑:罗亚坤)

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