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王大拙:总有人正年轻

2019-11-20 10:18:05 来源: 雅昌艺术网专稿 作者:王小菲 
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摘要:艺术家王大拙大拙今年31岁。当我还是个小孩儿的时候,觉得三十岁好远,就像八十岁、九十岁一样远。作为大拙的同龄人,我在三十岁到来前的几年,经常问自己,是不是应该有那么一个瞬间将过去的我和三十岁的我隔开?三十岁到底应该是什么样子?《自画像?》67x54cm油画当三十岁真正来临,当我看到三十岁的大拙和他的…

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艺术家王大拙

大拙今年31岁。当我还是个小孩儿的时候,觉得三十岁好远,就像八十岁、九十岁一样远。作为大拙的同龄人,我在三十岁到来前的几年,经常问自己,是不是应该有那么一个瞬间将过去的我和三十岁的我隔开?三十岁到底应该是什么样子?

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《自画像?》67x54cm 油画

当三十岁真正来临,当我看到三十岁的大拙和他的画,我的一切疑惑和焦虑突然松弛下来:大拙依然是一个少年的样子,他的画依然像一团炽热的花火。

Me91h7n7DunuNCs7BGuR8EfCPCunyeIpXsUvWLQr.jpg

《七色光》170x140cm 油画

大拙在大连共有五次个展。第一次是2011年,内容是大学本科期间的作品,之后是一次肖像展和两次写生展,每一次展览的作品都不重复,每次展览都能看出大拙新的探索和努力。

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《自画像!》58x48cm油画

大拙在安特卫普皇家美术学院学习的几年以及之后多年欧洲的驻留、游历,让他对西方文化有了细致而真切的了解。在众多城市中,他最留恋的还是比利时安特卫普,那里是凡戴克和鲁本斯的家乡,还有他最爱的恩索尔、玛格丽特、图伊曼斯、博伊曼斯。这些艺术家们是大拙异国求学时的指引和陪伴。经过多年的独自成长和沉淀,大拙创作出了一个梦一样的新世界,与之前相比有了很大不同。一方面是材料从画布变成了画纸 ,材料的变化不仅仅影响作品创作的过程和最终效果,同时也要求一种新的思维方式。大拙将在不同国家、不同文化中的见闻和经历化成自己的理解,自己的思维,于是也就重新找到了适合自己的新材料。

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《容器》120x160cm 油画

另一方面,绘画内容也发生了变化。绘画是大拙和世界打交道的方式,是他生命的一个出口。他将自己对世界的渴望,对梦想的惆怅,对未来的幻想,全都融入在天马行空的画面中,与之相伴的,还有一大堆美好色彩发出的声响。于是画面中出现了长大的童年,出现了孤独踌躇,还有那些缠绵悱恻、荡气回肠。我想他画出来的,正是青春应该有的感觉,正是年轻的诗和远方。

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《蜥蜴》120x100cm油画

大拙的画面中营造的世界,一笔一划菱角凹凸处,都有许多巧思与故事。仿佛嘈杂的都市中一座花园飘然而至,充满超脱现实的意味。那种从现世中脱离的戏剧感,让观者将时间都忘记。为了抵达那个戏剧性的时刻,大拙搭建了一座精巧坚固的舞台,舞台上的一切被非日常生活的逻辑驱赶到现场,由此一步跨入虚幻与炫丽的彼岸。

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《剧场C》160x240cm油画

我们每个人都会经常面对两条路,一条是省力的,可以套用之前已经熟稔的经验的,但是价值感没有那么高的路;另一条是艰难的,没有试过的,包含了一定程度痛苦的路。大拙显然选择了后者。从2011年至今,八年的七次个展,对于一个三十一岁的年轻艺术家来说,是一个值得自豪的成绩。每次展览,都有一次变化和成长。这条路也记录了一个男孩从躁动走向成熟。大拙在不断改变、不断超越自己。

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《奇怪静物A》77x66cm油画

三十岁是最好的年纪吧,比二十岁更从容,但依然精力旺盛,对一切好奇、兴致勃勃。青春不谢,总有人正年轻。大拙正年轻。

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《自画像@》72x72cm 油画

English Edition

Somenoe is Always Just Young

I was 31 years old. When I was a kid, I think it's 30 years old. It's just as far as eighty. As a self-defeating peer, I often asked myself for a few years before the age of 30, and should I have a moment to separate me from my 30-year-old? What should be the last 30 years of age?

When the age of thirty came true, when I saw the 30-year-old and his painting, all my doubts and anxiety were suddenly loosened:the bad was still a young man, and his paintings were still like a hot fire.

There are five solo exhibitions in Dalian. The first is 2011, which is about undergraduate works, followed by a portrait exhibition and two sketching exhibitions, each of which is not repeated, and each exhibition shows a great deal of new exploration and effort.

There are five solo exhibitions in Dalian. The first is 2011, which is about undergraduate works, followed by a portrait exhibition and two sketching exhibitions, each of which is not repeated, and each exhibition shows a great deal of new exploration and effort.

On the other hand, the content of painting has also changed. Painting is a clumsy way of dealing with the world and an exit to his life. His longing for the world, his melancholy about his dreams, his fantasies about the future, all in the sky, accompanied by a lot of beautiful colors. As a result, there is a growing childhood, lonely hesitation, as well as those sentimental, angry. I think what he draws is the feeling that youth should have, the poetry of youth and the distance.

The world created in the clumsy picture, with one stroke at a time, has a lot of ingenuity and stories. It was as if a garden in the noisy city floated in, full of surreal meanings. The sense of drama separated from the present world makes the viewer forget all the time. In order to reach that dramatic moment, a delicate and solid stage was built, on which everything on the stage was driven to the scene by the logic of non-daily life, thus stepping into the other side of illusory and dazzling.

Each of us often faces two paths, one that is labor-saving and can apply the experience we have known before, but whose sense of value is not so high; the other is difficult, untried, and contains a certain degree of pain. It was obvious that the latter had been chosen. From 2011 to the present, seven solo exhibitions in eight years are a proud achievement for a 31-year-old young artist. Every exhibition, there is a change and growth. The road also records a boy moving from restlessness to maturity. The big clumsy is constantly changing, constantly surpassing oneself.

30 is the best age, more leisurely than the 20-year-old, but still vigorous, to all the curiosity, to be dynamic. The youth is not welcome, and the total is young. He is a young man.

(责任编辑:李家丽)

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