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国墨国色——宋玉明艺术

2015-12-10 09:46:04 来源: 中国日报外文版
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摘要:ChinaDailyhongkongeditionFriday,December11,2015 SongYumingwasborninAntingTownofShanghaiin1954.HisancestorscomefromTaicangcity,Jiangsuprovince.Heisamem…

  China Daily hong kong edition Friday, December 11, 2015

  Song Yuming was born in Anting Town of Shanghai in 1954. His ancestors come from Taicang city,Jiangsu province. He is a member of China Artists Association, director of Artists Association of Guangdong province, executive director of Shenzhen Artists Association, and curator of Shenzhen Art Museum. He is also a member of Shenzhen Committee of the Chinese People’s Political Consultative Conference (CPPCC).

  Song is recognized as a top-level national painter. He is the vice-president of Shenzhen CPPCC Art Gallery, an artistic judge of the Guangdong Evaluation Committee of Professional Titles. He also teaches at the School of Art and Design of Shenzhen Polytechnic and is an artistic consultant with Nanjing University of the Arts in Jiangsu province.

  宋玉明,1954年生于上海安亭,祖籍江苏太仓。现任中国美术家协会会员、广东省美术家协会理事、深圳美术家协会常务理事、深圳市政协委员、深圳美术馆馆长、国家一级美术师、深圳市政协画院副院长、广东省高级职称评审委员会艺术类评委、深圳职业技术学院设计艺术学院客座教授、江苏省南京画院艺术顾问。

  Putting a spin on tradition

《江南春》

《逃难之四—祖孙》

《日本箱根》

  Editor’s note

  By Wang Mingming

  Both Song Yuming and I were born after the founding of People’s Republic of China.While we grew up under different circumstances, we lived in the same modern era, which impacted the way we looked at art, which was somewhat similar in the early years.

  Song mainly creates landscape painting with heavy layering of color and modern ink and wash paintings.Variety and versatility shine through his works. His art is a reflection of how his temperament has evolved over the years. Instead of following a fixed style and genre, he pursues absolute freedom of creation. His paintings are an image of his heart.He is not into novelty for the sake of it. This is very critical for an artist who would like to create a solid foundation for himself by building on his basic painting skills. At the same time he remains an extremely inspired and creative artist.

  His heavily pigmented landscapes have evolved from a style practiced by his father Song Wenzhi. Song Yuming borrows techniques from the ancient masters, besides being guided by his own mood. His work shows resonances of stylistic feature spopular during the Song Dynasty (960-1279) — script lining, wrinkling and rubbing, and patterned mirrors,for example.

  Song has put his own spin on the color splashing technique that was the hallmark of Zhang Daqian, one of the best-known and most prodigious Chinese artists of the twentieth century. That is why Song’s paintings exude a mixture of feelings — majestic, imposing, delicate and spiritual.

  It is worth noting that Song excels in observing nature through a modern lens, trying to present it with great clarity. Song also adds his subjective views to his work, resulting in a style that is refreshing and exquisite and at the same time rich and grand.

  It is easy to tell by looking at his artwork that Song is an intelligent and sentimental person.

  It is his humble and quiet nature that enables him to create such breathtaking pieces of art. Although he lives in a modern, big city, Song is able to remain calm and sober, which is a necessity for Chinese artists.

  It is easy to distinguish his art from that of the so-called “innovative painters” by demonstrating their sheer depth, range and expansiveness.

《春居》

  我和玉明都是新中国成立后出生的,成长经历不同,但同生活在新时代,所以早期的艺术观念颇有相通之处。

  玉明的创作分为重彩山水和都市水墨两大类,从他的作品中,我们能很明显地感觉到求变的主动,玉明把创作与自我心性的修炼紧紧地合于一体,不急于刻意寻求某种固定的程序与风格,忠于内心,随性而为,不贸然求新求奇。这样做有利于将自己的根基打得更深,路子修得更宽、更远。

  他的重彩山水由父亲宋文治的画风发展演变而来,画法上选择契合自己心性的古法学习,博采众家之长,勾线、皴擦及图式上有宋人遗风,泼彩施色在参照传统的同时,加入了现代的理念,借鉴吸收了张大千的泼彩画法,将玄妙灵透融入了博大雄浑。玉明以现代人视角观察、呈现自然山川景致,并加入了自己主观感受,逐渐形成了独特工整细腻、清新秀润而不失沉厚大气、富丽华美的画风。由此看出,玉明骨子里具有内秀、清朗气质。

  艺术创作有如此表现,得益于含蓄、平实的个性,身处都市,他没有迷失自我,保持传统中国画家所具有的创作状态和心态。文化滋养使他的作品具有思想的高度和品味空间。与很多“创新”类画家不同也在于此。

(责任编辑:李积英)

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